Phra narai (vishnu)
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King Prasat Thong would die in 1656, sparking a succession crisis – much as his own reign had begun. Emerging victorious was his son, Prince Narai, granted the epithet “the great” in English. Phra Narai was, however, a very unconventional king. Interested in the foreign and exotic, and eschewing tradition to an unprecedented degree, his reign was controversial in its day.
His reign sparked a period of intense cultural exchange between Siam and foreign powers, especially the French and Persians. The King would move out of Ayutthaya to a newly built palace in Lopburi, inspired by Persian designs, and would court Jesuit priests to help him design new fortifications, and import the latest engineering knowledge to better defend his country.
But Narai’s reign would prove a little too novel for many traditionalists. That, however, is for later – the path to Revolution will be laid, even in this early period, but for now we will focus on Narai as a man, and his coming to power.
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Narai
27th monarch of the Ayutthaya Kingdom (1656–88)
This article is about the Thai king. For King Narai of Lavo, see Lavo Kingdom. For the Japanese village of Narai, see Narai-juku.
King Narai the Great (Thai: สมเด็จพระนารายณ์มหาราช, RTGS: Somdet Phra Narai Maharat, pronounced[sǒm.dètpʰráʔnāː.rāːjmā.hǎː.râːt]listenⓘ) or Ramathibodi III (Thai: รามาธิบดีที่ ๓listenⓘ) was the 27th monarch of Ayutthaya Kingdom, the 4th and last monarch of the Prasat Thong dynasty. He was the king of Ayutthaya Kingdom from 1656 to 1688 and arguably the most famous king of the Prasat Thong dynasty.
His reign was the most prosperous during the Ayutthaya period and saw the great commercial and diplomatic activities with foreign nations including the Middle East and the West. During the later years of his reign, Narai gave his favorite – the Greek adventurer Constantine Phaulkon – so much power that Phaulkon technically became the chancellor of the state. Through the arrangements of Phaulkon, the Siamese kingdom came into close diplomatic relations with the court of Loui
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Eulogy of King Narai
Eulogy of King Narai is a poem in Thai, composed during the reign of King Narai (1656–1688). It is a major example of the Thai genre of royal panegyrics. The identity of the author is uncertain. The poem relates the key events of the reign, the king’s power, his palace at Lopburi, the beauties of the forest, and an elephant hunt.
Dating and authorship
Eulogy of King Narai (Thai: โคลงเฉลิมพระเกียรติสมเด็จพระนารายณ์มหาราช), Khlong chaloem phrakiat somdet phra narai maharat, is a poem in Thai. The poem was probably composed in the early 1680s as no event after 1680 is mentioned in the text. As with most old Thai literature, the author is not identified. Some authorities attribute authorship to Luang Si Mahosot, while others including Winai Pongsripian favour Phra Maharatchakhru, a head of the Brahman department, and author of several other poetic works.
Significance
The royal panegyric is a prominent genre in Thai poetry, possibly influenced by the Praśasti genre in Sanskrit. Praise of the king is a large element in Yuan Phai, a
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