What is jasper johns most famous piece
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Jasper Johns
Jasper Johns (born May 15, 1930) is an American painter, sculptor, draftsman, and printmaker. Considered a central figure in the development of American postwar art, he has been variously associated with abstract expressionism, Neo-Dada, and pop art movements.
Johns was born in Augusta, Georgia, and raised in South Carolina. He graduated as valedictorian from Edmunds High School in 1947 and briefly studied art at the University of South Carolina before moving to New York City and enrolling at Parsons School of Design. His education was interrupted by military service during the Korean War. After returning to New York in 1953, he worked at Marboro Books and began associations with key figures in the art world, including Robert Rauschenberg, with whom he had a romantic relationship until 1961. The two were also close collaborators, and Rauschenberg became a profound artistic influence.
Johns's art career took a decisive turn in 1954 when he destroyed his existing artwork and began creating paintings of flags, maps, targets, letters, and numbers for which he became
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Summary of Jasper Johns
Jasper Johns's playful, enigmatic paintings interrogate the very ways in which we see and interpret the world. Beginning in the mid-1950s, Johns deliberately avoided art cut off from everyday life and made common signs, such as flags and targets, the subject of his work. Riffing on the divergent examples of Dada and Abstract Expressionism, Johns, along with his Neo-Dada collaborator Robert Rauschenberg, created a nuanced art that spoke to notions of autobiography, irreverence, and philosophical engagement.
The reverberations of the work of Jasper Johns affected nearly every artistic movement from the 1950s through the present day. Breaking down the boundaries traditionally separating fine art and everyday life, he effectively laid the foundation for Pop Art's embrace of commodity culture. Additionally, Johns's exploration of semiotics and perception also set the stage for both Conceptual Art and more postmodern interventions in the 1980s, while his multimedia collaborations with John Cage and Merce Cunningham ushered in the dominance of Performance Art
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Jasper Johns
Jasper Johns was an artist that came onto the scene in the 1950s. Much of the work that he created led the American public away from the expressionism form, and towards an art movement or form known as the concrete. He would depict many flags and maps, and this created a more distinct style with the work that was being done during this period in American art history. He was also one of the leading forces to the pop form known as minimalism; even to this day, many of the pieces that are sold at auction, bring in extremely high price tags, and sell for record amounts.
Jasper Johns was born in Augusta, GA, and raised in Adelade, SC. From an early age, he grew up wanting to be an artist. Before moving to New York in the early 1950s, he studied for a brief period at the University of South Carolina. Upon moving to New York, Jasper Johns met artists, which led him down the road of wanting to work in this career field even more. John Cage (composer) and Merce Cunningham (choreographer), and Robert Rauschenburg (painter), were some of the early influences he met in New
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