Jan johansson biography
- Studying classical piano as a child, he would also go on to master the guitar, organ and accordion, before turning on to swing and bebop as a teenager.
- Jan Johansson was a Swedish jazz pianist.
- Jan Johansson was born on the 16th of September 1931 in Söderhamn, Sweden, and began to play the piano at age 11.
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Jan Johansson: From Small Acorns...
It would be an exaggeration to claim that Jan Johansson was Swedish jazz, as the country boasted many fine exponents of the art: there was clarinetist Stan Hasselgard, who played in Benny Goodman's group in the late 1940s; baritone saxophonist Lars Gullin, an important and unique figure who so impressed (trumpeter) Chet Baker and who was the first European to win a jazz poll in the U.S; saxophonist/composer/arranger Arne Domnerus, who played alongside (saxophonist) Charlie Parker, led small and large ensembles for five decades and who was constantly searching for n
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Jan Johansson Jan (pronounced âYahnâ) Johansson is well-known throughout the United States, Europe and Japan as an accomplished acoustic musician, producer, and music instructor. Jan was born in Skelleftea, Sweden in 1958 and began playing acoustic music at the age of 14. By the time he was 18, Jan was playing guitar, fiddle, and mandolin. At an early age, his passion for music developed into a love of the traditional and bluegrass music of the Blue Ridge Mountains. Jan is a person who embodies the spirit of this American-born genre of music. With that spirit and determination, Jan came to the United States in 1986 to fulfill his dream of playing traditional and bluegrass music. Jan first lived in Asheville, North Carolina for two years, then moved to Cary, North Carolina. Before his full time teaching career, Jan was one of the early members of the New Vintage Bluegrass Band. New Vintage became one of the most popular bluegrass groups in the US. Other artists he has recorded and preformed with is Kenny Baker, Joe Isaacs, Tony Rice, J.D Crowe, , Bobb
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Depressing, but predictable, to see the mainstream media scrambling aboard the Bohuslav Martinů bandwagon as soon as BBC Radio 3 announces a cycle of his superb symphonies . Equally depressing, but a sign of the times, to see the Independent publishing an appreciation of the composer's symphonies by a writer who confesses elsewhere to never having heard a single note of them. As Norman Lebrecht famously wrote in the Evening Standard back in 2006: ‘... until bloggers deliver hard facts … paid for newspapers will continue to set the standard as the only show in town’. Sadly the hard facts now show that Norman is no longer at the Evening Standard , and, as from next Monday, the Evening Standard will no longer be a paid for newspaper . But you can find pre-bandwagon appreciations of Martinů here and here . Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of ...
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